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TRU Professor Leigh Matthews Redefines Canadian Prairie Women in their own Words


The book was born of a PhD thesis, but the passion has a much longer history. While her introduction to the lives of prairie women, Dr. Leigh Matthews explains, was sparked by childhood recreations of the Little House on the Prairie television shows and books, her pleasure in these recreations was thwarted by the "glaring difference" she noted  between "the images presented to me on the screen" and her "knowledge of prairie life".
Dr. Leigh Matthews Book Looking Back
This recognition has become a key theme in her respected academic career, and has motivated Matthews to explore the lives of prairie women and find the voices in their writing. Recently, it has also resulted in the publication of a book: Looking Back: Canadian Women's Prairie Memoirs and Intersections of Culture, History and Identity.

Matthews says her book is "the culmination of a lengthy personal effort to contribute to a body of scholarship that makes women's voices heard and gives them space within the Canadian cultural record" and hopes that it will be an inspiration to others to "continue with the ongoing recuperation and restoration of such voices".

Hailed by Catherine Cavanaugh of Athabasca University as a "sound, well developed and well-written case for memoir as reconciling female experience to the dominant historiography of the prairie west", Matthews' book seems to be resonating with buyers. According to the University of Calgary Press, pre-order numbers were impressive, in fact, the first printing was nearly sold out before the ink had dried.

And what is next for Dr. Matthews? In her own words:
"I intend to continue the work of re-discovering lost women's voices myself, but this time by working on the republication of one or two novels from the early twentieth-century. As well, in terms of scholarly studies of literature, my main area of interest now (stemming from the final chapter of Looking Back) is eco-criticism, or the study of how the natural environment is represented. In particular, I am compelled by images of animals and animal metaphors in relation to female identity construction."

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